Synopsis
In the beginning was the black ellipse. Nana Swiczinsky presents this form, which she also identifies as the "geometric proto-cell," as the starting material for her film Points Of View (1999). Adventurous distortions and contortions allow the maximum of form effects to appear. Only black and white was her original self-appointed imitation. Vanishing Points take this "proto-material" and submerge it in a lush universe of colour - as though allowing every perspective a decisive expansion through the appropriate psychedelic lens.