Claire Aguilar

United States of America

Claire Aguilar

commissioning editor

Claire Aguilar is a programmer, producer and independent consultant and strategist. She is formerly the Director of Programming and Policy at IDA (International Documentary Association), overseeing professional development, education, mentorship and training initiatives and she served as the primary programmer for IDA's biennial "Getting Real" documentary conference. She is the former Director of Programming and Industry Engagement at Sheffield Doc/Fest, one of the leading festivals for documentary and digital media where she curated and directed the film program for Doc/Fest 2015 and 2016, programming over 350 films and working with over 200 filmmakers and media creatives. At the Independent Television Service (ITVS), she served as Vice President of Programming and Executive Content Advisor, working on program content and strategy for the organization, including commissioning programming from international and U.S. independent producers. She co-curated the Emmy and Peabody awarded series Independent Lens, PBS’s prominent showcase of independently produced films. She has served as a festival juror, programming consultant and panelists for IDFA, Dok Leipzig, DocAviv, the Ford Foundation, the Corporation for Public Broadcasting, the Rockefeller Foundation, The National Endowment for the Arts, the Pew Fellowships in the Arts and many other media organizations and film festivals. She is Vice President of the Board of Women Make Movies, and serves on the Executive boards of Firelight Media and the Why Foundation. She is a second-generation Filipina American and lives in Los Angeles.

Claire has worked on many documentaries as a commissioning editor and editorial consultant, including Waltz with Bashir by Ari Folman, Steve James’s The Interrupters, Frederick Wiseman’s State Legislature, At Berkeley and In Jackson Heights, The Invisible War by Kirby Dick, and many others. She recently executive produced Final Account by Luke Holland, which premiered at the Venice Film Festival 2020.
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