Synopse
A film portrait of the city without the direct presence of people. The city at night is not empty because one can feel heavy breaths of its residents, passers-by and night people in the frames of every scene. In three parts, slightly separated by their formal diversity, we move through a multitude of motives of a memorable night. The first part includes static, dead and distinctive panoramas of the city. The second part enters into moving matter. By means of transport we enter into the pulse of the city. Finally, in a formal vortex, with the help of stylized violence, we round up the nightly city in its full reality.