Database
Competition
The characters in this film - girls aged from 6 to 11 years, take part in a beauty contests for small children - Mini Miss Poland. The film shows their dreams, which usually concern quick and easy success.
Compilation of footage of the monastery on Mount Athos and refugee camps in Thessaloniki
Compilation of footage of the monastery on Mount Athos and refugee camps in Thessaloniki, Greece, August – September, 1913 Stéphane Passet travelled through the Balkans, Greece and Bulgaria from 30 August to 2 October…
Complicity
Anastasia. Our heroine is an example of how a frail person can be strong enough to remain true to her inner commandments, even when she can only count on herself. Her main commandment is to be happy no matter what.
Composition About Nature
A series of three experimental films, which can be projected also in a loop, deals with nature through quick, dynamic camera movements, attacking the viewer’s perception. The films were produced as a final examination…
Compost Me
What if, after our last breath, we were turned into fertile soil?
In Europe, committed citizens are advocating for humusation (the composting of human remains) to be studied, validated and legalized. In the United…
Comrade Tito, I inherit
Home is complicated, inheriting may be a burden and Tito becomes a symbol for something that has been - a filmic examination of what remains.
Concerned
The shooting of this documentary with Attila began in November 2003 in St. László Hospital. He was waiting for a morrow transplantation at the time. Then a new kind of life under sterile conditions ensued, almost…
Concerto for Two
Jerzy Maksymiuk. A conductor, a composer, a pianist. A story of great passion and talent, and an even greater price paid for that talent.
Concrete Albania
Every country in the world has a specific symbol. For Albania it's the bunkers built by the former dictator Enver Hoxha as part of his plan for the militarization of the country. Nobody knows precisely how many of them…
Concrete Dust
Concrete dust is a web of moments in an undefined post-Soviet periphery. Pastel colours, dusty surfaces and folkloristic artefacts dominate the pictures. The individual settings are determined by the state of rigidity an