Knowledge Lab je archiv 57 masterclasses, přednášek a workshopů, které vznikly během pěti let Ex Oriente Film – vzdělávacího programu Institutu dokumentárního filmu pro dokumentární profesionály ze střední a východní Evropy. Zahrnuje vše od financování a festivalových strategií až po střih a etiku. Nahrávky odrážejí více než dvě desetiletí praktické výuky s filmaři z více než třiceti zemí, jejichž projekty se následně dostaly na festivaly IDFA, Sundance, Berlinale, Hot Docs a do vysílání u stanic jako ARTE, BBC a ZDF.
Od roku 2027 se Ex Oriente stává hybridním programem – rozšíří se na strukturovaný dvanáctiměsíční program s online mentoringem, MOOC platformou a specializovanými směry pro celovečerní filmy, seriály a XR. Knowledge Lab je jeho základ: otevřený vzdělávací obsah budovaný postupně v jednotlivých kohortách, navržený tak, aby oslovil širší evropskou dokumentární komunitu nad rámec účastníků, které každý rok vzděláváme.
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Donors
Distribution & Marketing
Story Selling: Audiovisual Marketing Materials That Engage Audiences
Acquisition, Promotion and Distribution in CEE
Developing and Pitching Your Project to the North American Market
Description of the Sales Agreement in Great Detail
Distributing iHuman in the Time of Lockdown
New Ways of Thinking about Documentaries for Collective Action
Global Impact: The Why Foundation
How Documentaries Can Catalyze Systemic Change
Discussion: Changes in Audience Behaviour
Who's Who in the Documentary Industry 2022: Meet the Sales Agents
Developing and Pitching for the North American Market
From East Doc Platform to the World: The Journey of Magic Mountain
It's Never Too Early to Design Your Audience Strategy
Financing & Co-production
Beating the Big Problems with Small Solutions
Examples of Co-producing Documentaries in Europe
Occupation 1968
From Workshop to International Release
Co-production with France and Africa — The Last Shelter
Distribution, Festival Strategy and Co-production — Acasa, My Home
Co-production with the Scandinavians — Nelly and Nadine
Co-production with a Non-Well-Known Protagonist and EU MEDIA Financing — Antoine the Fortunate
Benefits and Challenges in Co-productions – A Case Study of The Last Shelter
Who's Who in the Documentary Industry 2022: Meet the Funds
Craft & Storytelling
Collective
What Am I Presenting?
Hybrid Films
The C Word in Documentary: Casting, Character and Commentary
Cutting Reality: A Dialogue on Documentary Editing
Encounters with Long-term Film Projects
The Unlocking Process
Vision and Reality
Dialogue of Cinematographers
The Process of Documentary Scriptwriting
The Art of the Musical Narrative in Documentary
The Cinematic Power of Life
Control of Narrative in Documentary
Creative Dialogue: Case Study of A New Shift
Creative Dialogue: Museum of the Revolution
Creative Dialogue: Wolves at the Borders
The Art of Documentary Editing: A Dialogue
Protagonists in Fragile Situations – Extended Q&As about I'll Stand by You
How to Prepare Film Material for Editing — A Case Study of Nelly and Nadine
The Art of the Musical Narrative in Film
Creative Dialogue: The Visitors
Rewriting the Story: A Case Study of Love Is Not an Orange
Creative Dialogue: Boylesque
Ethics & Society
How to Persevere in Film Production
Self-Representation of Roma in Documentary Films
Belarusian Courage
Ethical Challenges in Documentary Film
Panel Discussion: Female Voices in Film Production
Decolonization of Old Ideological Constructs and Film Industry Practice
Markets & Festivals
Who's Who in Documentary Shorts 2022: Meet the Festivals
Series & XR
10 Lessons from Producing a Series for HBO
Social Impact Strategies: The Shape of Us
XR Worldwide: Content and Curation
Docuseries 101: How to Pitch Your Project (Illicit Trade)