Database
Stressed: A Pandemic of Fear
Through the first-hand accounts of refugee children and expert testimony from psychologist, Professor Jon-Håkon Schultz, the Norwegian Refugee Council explores the mental health toll of COVID-19 on the region's most…
Strigov
When grandma dies, those who are left in the tiny, slowly disappearing Slovakian community join the emotional farewell journey.
Strip and War
The film tells the story of a small family, consisting of a grandfather retired from the Soviet army, and his stripper grandson.
Striplife
For most of the media, the Gaza Strip is a source of apocalyptic images from the Israeli-Palestinian conflict. Striplife is an extraodinary depiction of the everyday life of Gaza’s inhabitants prior to the latest…
Strong Beat
This film is an extract of the life of two people. One of them is a 12-years old boy Fedya, whose teenager’s life is complicated by his deafness and ensuing problems of speech; and his mothers.
Stronger than Ever
Intimate portrait of a rock climber on an adventurous recovery journey with desire to send the hardest climbing route of his life against post-traumatic fears and physical limitations.
Structural Filmwaste. Dissolution1
The first part of Structural filmwaste seems to be a reaction to the aesthetic methods of past Austrian avant-garde films: Leftover footage (Ernst Schmidt Jr.) was put together according to rigid plans (Kurt Kren) and…
Structural Filmwaste. Dissolution2
Structual Filmwaste. Dissolution 2 is the continuation of investigations into the fragmentation of time and images through video. It also represents an attempt to reveal the material nature of this vehicle of illusions.
Stuck in Stikine
Five men from Latvia - 2 businessmen, an experienced traveler, a cameraman and their tough guide head out to tame the fastest flowing river in North America, Stikine, hoping to cover 150 miles of Pristine Northern…
Subliminal Exercise
On its way out of the apartment, through the kitchen and bedroom, into the city, and out into nature, the stealthy running camera is drawn especially to the girls’ faces, to their bodies. The staccato, ac-celerating cut…