Synopsis
In the second half of the 1970s, Lumír Hladík realised several action art events within the Central Bohemian Region where he grew up. However, in retrospect, he says that choosing the landscape was merely just a tool, like using a piece of paper to draw on. In these filmed recordings of Hladík’s action art, the landscape remains somewhat anonymous and only the performer's trajectories paint a theme onto it. In this case, Hladík attempted to "end" the boulder that had "provoked" him since childhood.