Kip Masker

The absurd combination of the body and the misappropriated use of clothing enlist the viewer into a fluid stream of sculptural moments and constructs that dissolve after a fleeting manifestation. (…) The performance intends to analyze and play with ideas about the body, the fetishization of clothing, and lastly, question whether it is possible to rethink the perception of the (nude) body.(…)In "Kip Masker" I unite the roles of performer and camerawoman (video artist). I see these two functions united in one person as an expression of a new, expanded concept of feminist self evidence.(Maria Petschnig)