Synopsis
Small silhouettes appear in the middle of the sights, observed from afar. They move quickly but they cannot escape the quick all-seeing eye. They are monitored all the time. Despite the apparent absence of the human element we are not watching an animated film or a computer game but authentic videos from Afghan, Iraqi and Syrian missions of American and French soldiers. The silhouettes belong to real people who are only a trigger pull away from death. This is the 21st-century warfare. Everyone who can be seen is under threat. Eléonore Weber used dehumanized images of dying for her chilling reflection of the modern form of war.
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