Synopsis
Another contribution of this authoress to the reflection of genre films, this time dealing with romantic melodrama, confronts the expressive character of the film medium with the viewers’ perception in radical juxtapositions of eyes closely observing the movie Who’s Afraid of Virginia Woolf? and spots of red, green and blue colours that bite into them accompanied by harrowing noises and music.“Who's Afraid of RGB plays with self-referentiality in art, with the relation between artwork and viewer, references to other works of art and to scientific fields, as here to psychophysiology.” B. Roisz
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