Filip Remunda

Česká republika

Filip Remunda

režie, producent

Český Pepík jede do Polska poznat lásku k Bohu

Uprostřed Evropy vedle sebe existují dva národy, které si jsou v mnohém blízké a přitom tak vzdálené. Češi - programoví bezvěrci a Poláci, kteří se rodí jako zaregistrovaní katolíci. Češi nevěřícně kroutí hlavou nad polskou oddaností kostelu a Poláci zas lehce opovrhují tím, že v Čechách žijeme bez Boha. 
V této situaci vyráží český štáb filmových dokumentaristů na letní pouť po Polsku, aby s kamerou v ruce vyšetřil, jak to s tím “českým v. polským Bohem” je.

Obnažené vztahy

The family of “TASCHEN photographer” Vlastimil Kula is living proof that modern society needs to address the transgenerational transmission of trauma. Modern psychology might classify Vlastimil’s father as a disconnected man, he was unable to instill in Vlastimil a sense of security and confidence. As a result, Vlastimil often failed as a father, husband, and partner.

His daughter, professional film editor, Blanka might as well have continued the transmission of trauma to her children. But she decided to take a different path. She has been successfully undergoing therapy for years.

In addition, she decided to make a film about her relationship with father, becoming the narrator and guide on her own therapeutic and film journey. Now, Blanka is returning with a professional film crew and is ready to confront her father about his absence during her childhood, adolescence, and adult life. Both protagonists thus enter a special meditative state similar to family therapy. In their meetings, both return to their childhoods and examine life from surprising perspectives.

The narration follows Blanka as she visits her father over the years 2020 - 2024. She goes trough dramatical ups and downs realising it’s always better to address deep problems rather than to push them aside, causing emotional injury to yourself or to transfer the trauma to next generation.

Putin's Playground

A pair of Polish filmmakers travel around Central and Eastern Europe and explore cases of hybrid warfare in this region. They show their investigation and the evidence they managed to produce in Poland, the Czech Republic, Bulgaria, Moldova and Latvia - the countries of the post-Soviet camp. They do it in a cinematic way, creating a documentary in which they reveal what was supposed to remain hidden.
They discover that behind-the-scenes activities of Moscow special agents have been carried out regularly since at least 2013. The full-scale military invasion of Ukraine in 2022 is accompanied by intensive covert actions in neighbouring countries which are considered next targets. This seems to be a part of Putin’s plan to regain the former Russian zone of influence in Europe.
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