Database
Secure Future
Acase study of "insufficient" integration: The woman to whom this documentary is dedicated left Turkey in 1977 with her three children and followed her husband to Vienna. Since then, she`s been living in isolation as a…
The Securitate Hunter
Marius Oprea exhumes the dead. His nickname is the Securitate hunter because he chases the former officers of the communist political police.He travels through the country looking for the graves of some 10 000 Romanians…
Seda - People of the Marsh
Seda lies in the remotest corner of northern Latvia, near the Estonian border. It was built some fifty years ago in true Stalinist style. Workers from all over the Soviet Union were brought here to exploit the vast…
Seedling
The film is an exercise of the first year of the Department of Documentary Filmmaking at FAMU.
The Seeds
In a cottage at the outskirts of a small village surrounded by the Altai Mountains there’s a family rejected by the local community. Little by little we learn about their secrets. The story is haunting and it’s…
Seeds of Goodness
Can you imagine that helping others for free would fill you with satisfaction? Or even happiness (maybe euphoria)? That you should and would want to devote yourself to it along with all your other duties? Why? What kind…
Seeing Through the Darkness
Carried by an immersive sonic universe, this film offers a sensitive journey through memory, perception, and resistance. It invites us to listen differently to lives transformed by war.
Seeing Voices
The deaf protagonists of Seeing Voices employ different techniques to master their lives, walking the line between the hearing of the world – and refusing to be silent.
Seeking Magic
In a world where black magic and witch doctors are considered a thing of the mythical past, "Seeking Magic" takes us to Kosova, a land caught between times, where many still visit mystical healers for guidance and cures…
Seeking Tisse
Never-before released interview with the widow of his close collaborator and cinematographer Eduards Tisse turns everything we know about the creation of Eisenstein’s films on its head.